Seen but not heard.
Margarete Hahner
![Kaskadeur 2002 meer 140x200cm 1992](https://margaretehahner.net/wp-content/uploads/2021/12/Kaskadeur-2002.jpg)
Kaskadeur 2002
![Octopus1999](https://margaretehahner.net/wp-content/uploads/2021/12/Octopus1999.jpg)
![Marsch 2000](https://margaretehahner.net/wp-content/uploads/2021/12/Marsch-2000.jpg)
![Tausch 2002](https://margaretehahner.net/wp-content/uploads/2021/12/Tausch-2002.jpg)
Tausch 2002
![After the Picnic 2008](https://margaretehahner.net/wp-content/uploads/2021/12/After-the-Picnic-2008.jpg)
Exhibition View
![Flagge 2009](https://margaretehahner.net/wp-content/uploads/2021/12/Flagge-2009.jpg)
![flag-detai 2009](https://margaretehahner.net/wp-content/uploads/2021/12/flag-detai-2009.jpg)
![flagdetail 2009](https://margaretehahner.net/wp-content/uploads/2021/12/flagdetail-2009.jpg)
flag-detail 2009
![eagle 2008](https://margaretehahner.net/wp-content/uploads/2021/12/eagle-2008-scaled.jpg)
Exhibition View
![Kaskadeur 2014](https://margaretehahner.net/wp-content/uploads/2021/12/Kaskadeur-2014.jpg)
Kaskadeur 2014
![totentanz 2008](https://margaretehahner.net/wp-content/uploads/2021/12/totentanz-2008.jpg)
Totentanz 2008
![holz](https://margaretehahner.net/wp-content/uploads/2021/12/holz-scaled.jpg)
Holz
Exhibition View
![thekiss 2004](https://margaretehahner.net/wp-content/uploads/2021/12/thekiss-2004-scaled.jpg)
the kiss 2004
![crocodile 2002](https://margaretehahner.net/wp-content/uploads/2021/12/crocodile-2002-scaled.jpg)
![nixon 1 2008](https://margaretehahner.net/wp-content/uploads/2021/12/nixon-1-2008-scaled.jpg)
![nixon 2008](https://margaretehahner.net/wp-content/uploads/2021/12/nixon-2008.jpg)
![treat her 2009](https://margaretehahner.net/wp-content/uploads/2021/12/treat-her-2009.jpg)
![duck 2009](https://margaretehahner.net/wp-content/uploads/2021/12/duck-2009.jpg)
![larry 2018](https://margaretehahner.net/wp-content/uploads/2021/12/larry-2018.jpg)
LP:
Paintings range from human figures and small animals, to depictions of color systems. These images are painted sometimes on a single record or sometimes on as many as 200 records that are overlapped to form a single image.
More often the paintings are done on a series of records, one after the other, in which the image changes from one record to the next. The result is a visual metamorphosis somewhat like perceiving an optical illusion as one thing, and then suddenly seeing it as something entirely different – though in the work the transition is gradual. Hahner says, “I often think that I’m painting one image, when another emerges. I like the transformation, and I somehow want to capture it.”
To further explore the ideas of visual transformation, the painted records are also used as the equivalents of animation cells to produce short movies of ever-changing images.
„If I had my choice I would only paint on water”, says Berlin/Los Angeles- based painter Margarete Hahner, „but it is difficult to get water to stand still, unless you freeze it. And then I’d have to work in a big coat, so I paint on records instead. And records are a perfect painter’s medium because they already have a hole for hanging.
Some people might think there is a connection between my record paintings and the cinema,especially in the series paintings, where a group of records might appear to be individual frames in a movie. But I don’t think the connection is really valid because in cinema you usually have a full candy counter and a clean restroom.